Ballad Analysis · Blog Post

Murrumbateman Mystery Poet

Photo of Ross Memorial at Goulburn

Murrumbateman is a small village about 20 minutes away from where I live on the road south to Canberra. While I have published three albums of material about the history of the Yass Valley, I haven’t set any of those songs in Murrumbateman.

In an attempt to correct this, I went looking for stories about Murrumbateman in the National Library of Australia’s Trove collection. I found this poem and set it to music.

The poem was published in both the Goulburn Herald / County of Argyle Advertiser on 27 September 1856. However, the poet is un-named and is simply titled “Murrumbateman”.  The full poem is included below:

SPRING.

Yes, Nature once again has laid
Her wintry robes aside,
And once again she is array’d
In Spring’s most winning pride;
She seems no longer old and grey,
But youthful, blooming, fresh, and gay,
As if ’twere only yesterday
This lovely world was made.

See! countless multitudes of flowers
Adorn the verdant hills,
And, big with life-promoting showers,
Behold a thousand rills!
Feel! every breeze is loaded with
Perfume’s delicious, scented breath,
And hark! what music sweet from ‘neath
The rich, green forest thrills.

Blythe, snow-white lambs are scattered o’er
Each valley and each plain;
And all are now preparing for
The shearer’s busy reign:
The master makes his shed all right,
And views his press with vast delight;
The shearer whets his shears so bright,
Till both blades shine again.

The shepherd, too, with anxious care
Attends his fleecing flock,
So that they may in order fair
Yield up their annual coat;
And with well-founded expectation,
The publican makes calculation,
That half of all that’s earned this season
Will be his easy lot.

Oh! how I wish, dear Spring, that thou
Could’st stay with us for ever,
For then all things would smile as now,
And gloom return, oh! never;
But ardent Summer soon, alas!
Will snatch thee to his fierce embrace,
When every youthful charm and grace
Will sicken, fade, and wither.

 

So who is this mystery poet? There are several other poems labelled with this curious ‘Murrumbateman’ label, The Sabbath Day in 1855, Solitude, He is Gone, Australia the Bright! and this poem (Spring) in 1856. Nothing then until a final poem in 1858 called A Dream, where the poet reveals themselves to be from Scotland.

The poem He is Gone likely relates to the death of William Henry Simpson on the 10th of July 1856 in Yass. According to this article on 12 July, William was kicking a fire-ball related to the peace proclamation fireworks (Crimean War) and fell down a bank near the ‘new’ Yass bridge. At the time it seems it was thought he would recover, but his death notice was published on 19 July. In the paper of the 12th, there is also a notice saying that the Scots’ Kirk will not meet on Sunday as the Rev. Mr. Ross  needs to go to Yass to attend to his brother-in-law Mr. Simpson.

Reverends in the Yass Valley have a habit of also being poets (see John O’Brien of Around the Boree Log fame), so it is conceivable that Mr Ross is our nameless author. The full name of Reverend William Ross is given in this January 1856 marriage notice.

A brief summary of the life of Reverend Ross is given in his obituary here from 23 January 1869. It  indicates that William was born in Ross-shire, Scotland in 1815 and may have been an officer in the Royal Navy. Sadly no mention of  a penchant for Poetry.

This source confirms that William Ross was a Freemason and provides some imagery of his grave. The home where William’s wife continued to live after his death, and ran a boarding school is here. This history covers William’s involvement with the building of St Ann’s church in Paterson from 1838-1846.

So William’s connection to the subject of the He is Gone poem is strong evidence that either he, or his wife could well be the author of these poems, but sadly nothing conclusive. Hopefully someone in the region will be able to provide confirmation.

Possibly a red-herring, but this history of the Presbyterians in New South Wales from 1905 suggests there was another Rev. William Ross from South Australia, who was active in Wentworth and returned to Scotland and died in 1899. This Ross is linked to the poet, Dr George Macdonald. This Ross is probably not the one associated with Yass/Goulburn.

 

 

 

 

 

Blog Post · Folk Music

The Craic is Back in Yass!

I have greatly missed the sound of forty musicians on bodhrans, fiddles, concertinas, flutes, guitars, mandolins, pipes, harmonicas and banjos belting out hour after hour of Irish tunes. It was fabulous to hear that sound in our small town of Yass again after a three-year absence due to the plague.

As a songwriter, I also love the chance to hear what others from across the country have been writing or adding to their repertoire. While the factory floor of Twitter, Instagram, Zoom, YouTube and Facebook have provided an alternative for artists during these times of isolation, they do not come close to the experience of being in the same room with an audience and other performers.

Dixie Chooks
Dixie Chooks at the Lovat Chapel

Friday night opened at the Lovat Chapel (formerly St. Augustine’s) with the ‘just in time’ Dixie Chooks, having hit petrol trouble at Gundagai. Although I’ve had the chance to hear Wendy and Moira several times before, the superb guitar skills, soaring harmonies and guaranteed humor always make it worthwhile to catch them again.

Songbrother
Songbrother at the Lovat Chapel

As an avid listener of Triantan for many years I was excited to hear the new incarnation of 2/3rds of them (Anthony Woolcott and Miguel Heatwole), with Sophie Moore. Fabulous vocal harmonies and an eclectic mix of material, including Baterz’ Giant Squids, a song from Tolkien and some 80s punk ballads. The addition of Sophie Moore’s beautiful soprano makes for some enchanting listening. However, the group may need to find a new name as ‘Songbrother’ probably doesn’t fit anymore!

Miguel asked me to record the concert for them, the video is available here.

Memorial for Annie Waterhouse
Memorial for Annie Waterhouse

The rest of the Friday evening was a somber occasion, with a memorial concert for Annie Waterhouse, who passed unexpectedly only months before the festival. Annie was a major supporter of the festival and a key member of the committee, her loss was deeply felt. I sang this re-write of the famous poem by George Washington Johnson for Annie at the concert.

Sadly I missed the end of the Friday night Shanty Session run by the Canberra Shanty Club at the Clubhouse Hotel but did catch the song about an exploding pig by Luke Robinson at Trader & Co. before calling it a night.

While there were a few performers that I missed due to scheduling, I was able to hear the angelic voice of Shona Williams at 10 in the morning on Saturday, in a newly flooded (broken dishwasher) Yazzbar. Shona is a joy to listen to as an unaccompanied singer.

Shona Williams
Shona Williams at Yazzbar (10am)

After hearing Shona I was back to the Lovat Chapel to launch my second album of songs about Yass, Peace in the Valley. It was also an opportunity to sing my song about the Sisters of Mercy that came to Yass in 1875 and were responsible for building the Chapel and running the Mt Carmel school. I had been scheduled to sing it there in 2021, to commemorate the last sisters leaving Yass, but the event was covid-delayed.

It is worth a special mention for Keith and Liz Lovell, who run the Lovat Chapel venue as volunteers. Having a great MC can make the experience much fuller for both performer and audience and Liz does a wonderful job (promoted to National Folk Festival MC this year!).

Nerida Cuddy
Nerida Cuddy at Yazzbar

Having missed Nerida Cuddy at previous festivals, it was wonderful to finally hear her in person, with such wholesome and evocative songwriting and a fine voice. One of Nerida’s songs, Virtual Folk Club, closely tracks my own strange experience in 2020/2021 with international Zoom-based concerts and music clubs.

One of the best surprises of the weekend was ducking into Trader &Co. at 8pm on Saturday for some dinner (delicious beef in Guinness). The schedule had ‘Open Mic’, but instead Mad Kelpie Playdate did an impromptu concert of fabulous pipe tunes. A brief snippet up on my Facebook page here. After the set they were joined by others for a session, which Paddy Conner told me went until 1am.

Lugh Damen
Lugh Damen at the Memorial Hall

Sunday afternoon finished up with a local showcase where I got to share the stage again with Lugh Damen and his very fine sounding 150 year old lute, our Irish guest artist, Stephen Murray and honorary locals Phil Lester and Shona Williams.

Christina Green
Christina Green at the Australian Hotel

Other highlights over the weekend included fine songs from Christina Green. I had greatly enjoyed the Irish chant that she sang for Annie’s Memorial Concert, so was happy to be able to catch her set at the Australian Hotel on Saturday night. Despite some competition with the rowdy sports-ball watchers in the bar, Christina shared some fabulous songs. Hearing David Game and Jenny Gall sing and play as a duo was also a pleasure, having previously played with them in the local Céilí band.

Jennifer and David
Jennifer and David at the Australian Hotel

As at any festival, there were many other great acts that I missed this year. Jose Garcia of Tidal Moon did an excellent job getting the best sound out of the Lovat Chapel, but I was sad to only catch him and Tidal Moon singing at partial sounds checks.

Janno Scanes, as festival director and president of the committee did a super-human job putting the festival together this year. The hurdles have not been minor, and it is a significant achievement that the festival went ahead despite weather, sickness, bureaucracy, and great loss. Melita Simmonds also managed to be simultaneously in 4 venues capturing the festival, you can see her fine work on the festival Instagram and Facebook pages.

Stephen Murray
Stephen Murray at the Memorial Hall

Hopefully at the 2023 festival, the plague will be a bad memory, and we will welcome back performers from across the globe, to the finest festival, in the finest little town on earth.